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You can do a joke that only 1% of the audience gets, as long as it doesn't derail the enjoyment of the mass... and that 1% becomes a fan for life. David X. Cohen should have been a marketer, because what he has accomplished is targeted communications through mass media. Brilliant!
Well, according to basic advertising theory, a brand must strive to own ONE word, or association, or idea, or concept, or emotion. You can only own ONE, because if you extend beyond that the consumer will get confused.
I would agree that in a broadcast, one-to-many world you do want to create a clear, consistent message; however, in the online world your brand can stand for many different, even conflicting, ideas. Hell, in the digital age your consumers will attach their own meanings to your brand that you never even contemplated. Don't worry they can handle the responsibility.

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Mohammed Iqbal, Senior Planning Partner @ Ogilvy & Mather in Bangalore, wrote a white paper titled "The Elongating Tail of Brand Communication," where he nails the concept of multi-message branding. If you haven't read it, check out the manifesto version here. Even won him a top award from WPP, kudos! Also, I have to thank the guys and gals over at InfluxInsights for bring the doc to my attention.
The distilled message is:

"One conundrum facing contemporary advertising practitioners is: can simplicity in communication yield complexity of brand character in perception? Trying to communicate a complex message is a task that involves great risk and great expense. Great risk because the message may not reach the audience at all. Or even if it does, it might not be understood. Expensive because a complex message requires more media bandwidth—and many many more repetitions to get across.
A better model to communicate complexity is to let the consumers assemble it for themselves at their end. Just ensure that they have all the essential ingredients—a long tail of diverse yet simple and easy to communicate brand messages—and they will eventually put together a complex, layered and nuanced understanding of the brand.
One of the most surprising and desirable side effects of long tail brand communication is that by merely contemplating more than one message at the same time, your consumer is assembling the complexity you sought to communicate, [emphasis mine] but wisely didn’t. "
Taking this concept one step further I would like to mash it up with community based messaging. In some ways the thesis of Mohammed's superb paper is that the consumer will, given the right ecosystem, formulate their own message. In my opinion, this is still based upon an ONE message world view, a world where a brand must either mean A OR B.
Advertising has evolved from an OR based world to an AND based world.
A brand can now stand for A and B and C. Let me explain.

To maintain a level of consistency there needs to be a common thread between the messages at a very high level. Underneath this idea, you have various communities that are self-selecting and self-filtering; meaning that the people who are active members of the community are there to connect with other passionistas and if they don't fit in or are inauthentic the community will filter them out. Following on that assumption you can target Message A to a community of car buffs, Message B to mothers with babies, and Message C to coffee lovers. How can you do this without diluting the message? Lets consider various scenarios:
1. Single Message: Mary is a car buff and receives Message A which resonates with her and she becomes interested in the product.
2. Multiple Compounding Messages: Mary resides in all three communities so she sits at the middle of the ven diagram above and is hit with all 3 messages. Is Mary confused? Certainly not, the messages will compound as she is passionate about all three communities and each message hits home in a different manner. In this case 3 messages are hugely more powerful than one.
3. Multiple Overriding Messages:Mary is a coffee lover and receives Message A, which again resonates with her, but this time she also stumbles upon a coffee lovers website and is exposed to Message C. Again, she is not confused and is on her way, with Message A still resonating. Why? Because of the impact differential, Message A was targeted to hit her passion point so made a big impact, where as Message C had very little impact and thus, Message A overrides Message C.
The key here is that the consumer is aware that different messages are being communicated, and it is not a single hybrid message build upon various long tail attributes as is suggested in the white paper.
This is an idea I have been developing for quite a while and I have received varying degrees of push back from people entrenched in the ad industry, but remember you can never predict the future based on the past, especially in disruptive times. Thus, what worked in the past rarely works when applied to a new, different environment. I highly recommend Nassim Nicholas Talebs's Fooled by Randomness for a new way of thinking about information induction and how to get out of one's own way when thinking about the future.
Finally, a quick thank you to Russell Davies for the pic at the top of the post.
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Comments
Seni, all great info, but what's really bugging me is...
what's the X stand for in David X. Cohen? :)
Posted by: Elaine Fogel | 01.23.08
Between you and me Elaine... I think it's just there to look cool
Posted by: Seni Thomas | 01.23.08
When the primetime animated shows unionized in 1998, David was forced to change his name as there was already another David S. Cohen and the Writers Guild of America, west does not allow members to have the same name. He chose X because it sounded "sci-fi-ish", and has jokingly said that the X would make him "the David Cohen people would remember"
Straight from Wikipedia. Sorry for being anal but questions left up in the air can stop me sleeping for days. :)
Posted by: Timothy Coote | 01.24.08
What is really interesting is that we are taking part in the crystallization of theory to help us communicate our message in an environment that is so darned crowded.
Hence the blessed arrival of "pull" marketing, which I can only conjecture grew organically out of the natural desire to seek refuge - from the adverts, the logos, and the general cacophony with which we are constantly being bombarded. A great example of this is the Corona beer campaign - just 30 seconds of a perfect tropical beach and a beer. That was poetry. Although I never saw a study on if their sales went up, it sure makes me personally want a beer! Not for the beer itself, but for the perceived value.
While the Cinco de Mayo posters and commercials are of a much different flavor, we still don't get confused as to the product.
Seni, thanks for sharing!
Posted by: Eden | 01.24.08
Excellent post, Seni! Yes, crafting the right message at the right time for the right people is the "holy grail" for branding and marketers -- but the irony is that in the online community, 70% of all Web users do not speak English.
Companies are realizing that "right message, right time, right person" isn't enough; the message must be in the right language, as well. Companies are connecting their brands with multilingual markets via website translation, and they're doing it by simultaneously launching multi-lingual sites in several languages. I recently wrote about my company's progress in this space; you can read about it here. http://motionpoint.com/news/69/default.aspx
Thanks again for such an informative post!
Posted by: C. Hutchins | 01.25.08
Excellent post that, rightly, goes against the conventional wisdom.
Posted by: Neil Anuskiewicz | 01.29.08